Oh, it deserved more than one category, though the song deserves the nomination... would it have stuck in the Academy’s craw to put it where it belongs, the Best Picture category? The film’s basic conceit is a musical one, that two strings in tune will resonate and amplify, and the joy in John Carney’s filmmaking is his deft delivery of this.
I’m with David Carr, one of Entertainment Weekly’s bloggers on that one.
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